About this Issue
PDFEditor: Cathryn Molloy, Bryna Siegel Finer, and Jamie White-Farnham
Associate Editor: Jennifer Nish
Editorial Assistants: Holli Flanagan and Taylor Hughes
Web Coordinator: Hannah Taylor
Cover Art: Photo by “Femmes à la Colombe” by Marie Laurencin (Musée du Luxembourg, Paris). Pastel painting depicts two androgynous figures wearing formal attire, standing closely. One holds a book with a small bird perched on it. The scene is set against a muted gray and pink background, creating a serene and intimate atmosphere.
Introduction
Celebrating and Promoting Peitho-Level Generosity in Academe and Beyond
Cathryn Molloy, Bryna Siegel Finer, and Jamie White-Farnham
DOI: 10.37514/PEI-J.2026.28.2.01
Articles
Storiographies of #HealingJourney: Online Feminist Rhetorical Practices of Healing through Content Creation and Care
Chandler Mordecai
DOI: 10.37514/PEI-J.2026.28.2.02
Swallowing Voices: Mêtis and Its Enactment
Kristen Hoggatt-Abader
DOI: 10.37514/PEI-J.2026.28.2.03
#WhatIEatInADay *As A Fat Person Not on A Diet: Eating Online as Feminist Performative Symbolic Resistance
Kelli R. Gill
DOI: 10.37514/PEI-J.2026.28.2.04
In Order to “Say What We Say:” Archival Protocol that Attends to Indigenous Data Sovereignty
Alanna Frost
DOI: 10.37514/PEI-J.2026.28.2.05
Book Review
The Diasporic Cookbook as Chronotope, a Review of Kitchens of Hope: Immigrants Share Stories of Resilience and Recipes from Home
Marcella Prokop
DOI: 10.37514/PEI-J.2026.28.2.06
Cluster Conversation
Introduction: A Feminist Rhetorical Approach to Visual Culture
Rachel E. Molko, Alexis Sabryn Walston, and Hannah Taylor
DOI: 10.37514/PEI-J.2026.28.2.07
Envisioning Rhetoric: Sensation, Orientation, Imagination
Kimberlyn R. Harrison
DOI: 10.37514/PEI-J.2026.28.2.08
“Those pictures are peaches”: Gender Play in a Feminist Visual Underground
Kristie S. Fleckenstein
DOI: 10.37514/PEI-J.2026.28.2.09
Why We Blush: Metaphors Bound up in Cosmetic Packaging
Jess Borsi and Taryn Seidler
DOI: 10.37514/PEI-J.2026.28.2.10
Queerlesque: Anticolonial and Anti-Heteropatriarchal Love and Abjection in (Rural) Queer Performance
Cheyenne Brown and Bibhushana Poudyal
DOI: 10.37514/PEI-J.2026.28.2.11
Take it Seriously: Bimbo Feminism and the Racialized Production of Erotic Capital on #BimboTok
Rency Luan and Anna Mcwebb
DOI: 10.37514/PEI-J.2026.28.2.12
Patchworked Selves: Tattoos as Permanently Becoming
Tina Le and Jackie Chicalese
DOI: 10.37514/PEI-J.2026.28.2.13
It’s a Femininomenon: Chappell Roan, Queer Visual Culture, and Participatory Feminist Rhetorics
Sharon J. Kirsch
DOI: 10.37514/PEI-J.2026.28.2.14
Fattie at the Front of the Room: Fat Professors as Embodied Visual Feminist Praxis
Katie Manthey and Rachel Robinson-Zetzer
DOI: 10.37514/PEI-J.2026.28.2.15
Claws, Paws, and Menopause: Feline Metaphors and the Performance of Aging
Freddie (Fiona) Harris Ramsby
DOI: 10.37514/PEI-J.2026.28.2.16
Contemporary Mural Art, Personhood, and Utopic Visions of Reproductive Justice
Jill Swiencicki
DOI: 10.37514/PEI-J.2026.28.2.17
Reproductive Chronic Illnesses Social Media as a Guide for Care
Jessie Reynolds-Clay
DOI: 10.37514/PEI-J.2026.28.2.18
Materiality of Memory: Firelei Báez & A Path Toward Feminist Visual Rhetorics
angela muir
DOI: 10.37514/PEI-J.2026.28.2.19
“Seeing Red”: Subversion, Appropriation, and the Feminist Gaze in Barbara Kruger’s Art”
Rachel E. Molko
DOI: 10.37514/PEI-J.2026.28.2.20
“The Modern Girl Wants to Have it All”?: Shifting Megarhetorics of Empowerment in An African City
Nancy Henaku
DOI: 10.37514/PEI-J.2026.28.2.21
The New Woman and Visual Resistance: A Feminist Visual Rhetorical Analysis of Hard Labor
Martha Sue Karnes
DOI: 10.37514/PEI-J.2026.28.2.22
Peitho on Social Media
